Stephan Pflicht:
The Gerhard-Winkler-Chronicle 1932-33 In Berlin Gerhard Winkler makes himself a name arranging music and works for such well-known orchestras as Paul Godwin, Mitja Nikisch, Ilja Livschakoff and Adolf Ginsburg as well as for various music publishers such as Adolf Fürstner, Efi-Ton-Verlag, Edition Eichler & Tetzlaff and the Bohème Verlag in Vienna. The following compositions also appear in print:
1934-35
Gerhard Winkler writes the music for Carl Boese's films »Meine
Frau, die Schützenkönigin« with the songs Bayrischer
Dirndl-Walzer
and
Die Liebe müsste wie
ein Märchen sein and »Der Schrecken vom Heidkrug« with
the songs Im
Wald, im grünen Wald
and Mein
kleines Frühlingslied. His slow waltz Ein Lied ohne Ende , sung by the well-known radio and record tenor Herbert Ernst Groh, marks the beginning of his musical collaboration and life long friendship with Ralph Maria Siegel, who is to write many of the texts for his successful songs. Wanting to increase his knowledge of music theory Gerhard Winkler joins a special class of the outstanding music teacher Gustav Bumcke at the Sternsche music academy in Berlin from October 1934 to February 1935. The following compositions also appear in print:
With this series Gerhard Winkler proves that he is especially qualified for light concert music and that he has a special talent for folkloristic effects, particularly for Italian colour. Wilhelm Gebauer's Leipziger Musikverlag publishes Gerhard Winkler's SO (Salon Orchester) arrangement of »In München steht ein Hofbräuhaus«, the light waltz written in this year by Wiga-Gabriel , words by Klaus S. Richter and Fritz Reiter, which is known all over the world today. Some of Gerhard Winkler's compositions are published by large houses in Italy, e.g. Bei Tanzmusik im Strandhotel and Mondlicht , published by Sterbini & Co. and El Picador by Piero Leonardi. This year also sees the beginnings of co-operation with the singer Rudi Schuricke, who records the foxtrot Bei Tanzmusik im Strandhotel, the slow waltz Der Tag geht zur Ruh and the tango song Italienische Nacht . During the next 20 years Rudi Schuricke makes numerous Gerhard Winkler compositions popular. The journal »Unterhaltungsmusik« ("Light music") reports on Gerhard Winkler's specific work for advertising films in the thirties: »He was given a task demanding special aptitude: the advertising film. The essence of this is conciseness and the power of persuasion on the shortest yardage. Obviously, music can be a great support.« Within two years Gerhard Winkler writes the music for more than three hundred advertising films. These include a film made for South America. Winkler had to compose music with a South American atmosphere. It was a great compliment to his talent asking Winkler to write music, say, for people in Buenos Aires or Rio in a language familiar to them. The last big assignment was the musical supervision of the first all-evening advertising film for the Auto-Union »Jahr der Arbeit - Jahr des Erfolgs« ("Year of work - year of success") first released in early December in Berlin. The following compositions also appear in print:
Gerhard Winkler writes the music to Heinz Helbig's Film »Monika«, released in 1938, including the songs Puppen-Parade , Sehnsucht nach der Heimat, Tanze und sing and Irgendwo auf Erden. The series »Klänge aus aller Welt« is continued with Japanisches Teehaus as No. 5, Ungarland as No. 6, Sizilianisches Ständchen as No. 7 and Ouverture romanesque as No. 8 . The following compositions also appear in print:
1938 On 10th March Gerhard Winkler marries Edith Haase, daughter of a cabinet maker, in Berlin-Lichtenfelde. He had been introduced to her in the house of his Berlin publisher Erwin Paesike, whose sister-in-law was married to one of Edith Haase's brothers. In June the Schuricke Trio records Gerhard Winkler's composition 0 mia bella Napoli under the title Straßensänger von Neapel which, together with the French text version sung by Tino Rossi, leads to the great popular success of this song. During the next few years Scampolo becomes a standard piece for light concert music. After many successes Peter Igelhoff, bar singer, pianist and composer; creates his version of Gerhard Winkler's chanson Das Nachtgespenst , again becoming very popular. Ralph Maria Siegel also wrote the words to this song. The series »Klänge aus aller Welt« is continued with No. 9, Holländischer Holzschuhtanz , No. 10 Toulouse , as No. 11 Andalusischer Tanz as well as No. 12 Schottischer Dudelsack. The following compositions also appear in print:
During the following years Frühling in der Toskana became a standard piece for light concert music. With Santa Maria Winkler starts a second series of little concert pieces, »Eine Konzertfolge von Gerhard Winkler«, published by Leipziger Musikverlag N.Simrock, similar to the series »Klänge aus aller Welt«. The following compositions also appear in print:
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